Magazine

YANGYING - Photography as a Quiet Companionship

by Yvette Depaepe
Published the 26th of January 2026

YANGYING is a talented, self-taught landscape photographer. She doesn't want to make nature louder or more dramatic. Instead, she approaches it quietly and with restraint, allowing the landscape to remain as it is so that she can fully witness its beauty and stillness.

'Rhododendron in Antarctica'

My name is Yangying and I am a photographer from China who is currently living in Nanjing.
Before photography became an essential part of my life, I worked in finance. For many years, my life followed a stable and predictable rhythm until I realised that I needed to slow down and reconnect with myself.
In November 2019, I decided to treat myself for my birthday. By chance, I came across images of the Northern Lights in Iceland shared by a Chinese photographer who was organizing a photography trip. Almost instinctively, I signed up. I bought my first full-frame camera — a Canon 5D Mark IV — along with a 15–35 mm wide-angle lens. That journey marked my first true encounter with landscape photography and opened up a whole new world for me. Once I stepped into it, there was no turning back.

'Moeraki Boulders'

'snow gum'

'Snow gums'

That trip was especially meaningful because I met Liu Bai, my first photographic guide. He is a young and outstanding Chinese photographer whose work made a deep impression on me. In September 2020, I joined him on another trip, this time to the Badain Jaran Desert. I remember standing barefoot in the sand, holding a brand-new 70–200 mm lens that I hadn't even unpacked yet. Another photographer, Tony Wang, helped me change lenses while I was overwhelmed with excitement. Suddenly, a companion shouted, 'You've ruined my foreground.' At that moment, I realised how inexperienced I truly was.

I had no solid theoretical foundation, no refined technical skills and no knowledge of post-processing. Photoshop was completely foreign to me. By all standards, I was a beginner. But what I did have was passion.

'Lonely'

‘The sea road that cannot be awakened by storms’

‘I meet the comet in the dark night’

While much of the world was struggling through the pandemic, I devoted myself to learning photography. I bought books, took courses and practised post-processing extensively. Due to my work commitments, I had to carefully accumulate holiday days before each trip. For me, leaving the city is essential — every departure brings new perspectives and discoveries. While my body is still healthy and capable, I want to experience as much of the world's extreme beauty as possible.

These journeys have not always been easy. On my first trip to Tibet, for example, I photographed ice formations at Puma Yumco Lake with childlike excitement, only to develop a high fever that night and be evacuated back to Lhasa. In Nianbaoyuze, I fell off a horse just fifty metres from my destination. In the forests near Bermagui Beach in Australia, I was bitten by ticks. Most recently, I trekked through the core area of Kaqiogangri, which is at an altitude of 5,300 metres. The harsh climate there irritated my throat so much that my voice became hoarse. Each experience has reminded me of my physical limits and taught me humility, patience and respect for nature.

My photographic vision is simple. I’m not interested in making nature louder or more dramatic. I want to approach it quietly and respectfully, without disturbing it, and allow the landscape to remain as it is.

‘floating ice’

‘aerial photograph of Jionglacuo’

'Silvernight Glow'

Rather than trying to control a situation, I prefer to adapt to it. I observe first, move slowly and wait. If something feels intrusive, I step back.

Unless I am shooting time intervals, I often prefer not to use a tripod. Most of the time, I work handheld with my Canon EOS R5, moving through the landscape to find the right foreground composition. I frequently use focus stacking, which is one of the reasons I value the R5 so much. As I often hike and camp, I always carry two camera bodies, not only as a backup but also to avoid changing lenses in challenging conditions.
Over time, my backpack has grown heavier, especially since I started carrying a drone. I use drones not to chase spectacle, but to see landscapes that are inaccessible to me. From above, the landscape becomes almost abstract, with lines, textures and rhythms. This also enables me to maintain a distance and observe without setting foot on fragile ground or disturbing places that have been resting quietly for centuries.

My workflow is quiet and methodical.
Whenever I travel to take photographs, I bring a laptop with me. Each day, I back up the images from my memory cards onto a portable hard drive and review what I have captured. I’ve made mistakes before – once, for example, I forgot to check my camera settings and later realised that I hadn’t been shooting in RAW format. It was heartbreaking, but it taught me to slow down and pay closer attention.
Once I'm back home, I immediately back up all my files to my NAS system before importing them into Lightroom for selection and organisation. When I’m not travelling, I quietly do my post-processing in Photoshop, often with music playing and alone. Sometimes, I revisit photographs from two or three years ago that I once considered failures and try to 'rescue' them. Over time, they often reveal something new. This process reminds me that photography is not about speed or immediate results, but about patience, reflection and being honest with myself.
My main cameras are the Canon EOS R5 and EOS R5 Mark II, which I use with 15–35 mm, 24–70 mm and 70–200 mm lenses. For wildlife photography, I use a 100–500 mm lens; for portraits, a fast 50 mm prime; and for seascapes, an ultra-wide Laowa lens.

One of my favorite images is a night photograph taken at Mount Saipu, where moonlight illuminated the mountain’s golden summit beneath a star-filled sky. It was an intensely quiet moment, almost unreal, where time seemed to pause. That image represents why I photograph—not to capture drama, but to witness stillness.

'The peaks of Sapri at night'

Many photographers have influenced my journey.
Liu Bai and Tony Wang, in particular, have played an important role in guiding me towards an understanding of photography through practice rather than theory. Travelling and exploring new viewpoints with them made me realise that photography is an ongoing process of broadening one’s perspective, not a fixed system.
Through them, I discovered the work of many other talented photographers. Mark Adams in particular made a strong impression on me. His images of extreme landscapes showed me that photography does not need to be loud to be powerful. I hope to meet him one day.

‘Snow Embracing the Millenium’

‘Breath of the sea’

'Gateway of Autumn'

Photography is the main reason I enter nature. My child has been incredibly supportive of my work. He often reminds me to 'enjoy myself' and 'stay safe', and he is thoughtful enough to help me choose photography equipment, or even buy me some as a gift. One of the most meaningful gifts I have ever received was a Canon R5 Mark II for my birthday. Although my children have their own lives and responsibilities, I hope that my photographs will allow them to experience parts of the world that they cannot yet access.
He once told his classmates that he was proud his mother had something she truly loved rather than being caught up in daily routines all the time.

Since 2022, I have travelled almost every month to take photographs. Since 2023, I have been publishing images on photography platforms almost daily and have gradually begun to receive recognition. My goal has always been simple: to keep practising and to show my child the work I submit to the world. Whenever he logs into a photography website, he can see where I have been.

I choose quiet and solitude over circles and noise. I know that my relationship with photography is not a loud passion, but a long companionship—one that grows slowly through time, patience, and attention.

‘Beams in the Tidal Mist – Motukiekie’

‘King Peak, Above the Glacier’

I began submitting my work to 1X in 2024. Since then, I visit the platform almost daily. It has helped me tremendously. We often live within our own limited circles, and photography gives us a chance to understand a much larger world. For me, 1X is an exceptional platform—one that encourages growth, reflection, and connection. I am truly grateful to be part of it.

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DonnaHom APA PRO

A great collection of grand landscape all over the world. Congratulations for the great accomplishment. Thank you Yvette for editing this magazine. Well done.

Izabella Végh PRO

Complimenti per questo meraviglioso articolo per YangYing ed altre tanto a Yvette. Condivido i tuoi pensieri della fotografia.

joanaduenas PRO

Thanks you very much for sharing your thoughts and emotions. Also, thanks Ivette for this beautiful opportunity to know others members of 1x.

X-FlyingKN PRO

Wonderful showing / profile, congrats YangYing and thanks Yvette !

kevinduffus

WOW!!! LOVE!!! Thank you for sharing your talent.

Yongnan Li （李永男） PRO

Nice profile,

Dazhi Cen PRO

Congratulations! Learned a lot about your philosophy in photography! 耐心, 平静, ... Photography has enriched your life!

Bing Li PRO

Very unique landscape photography, full of moods. Great expressions, Congratulation , YangYing.

Yvette Depaepe CREW

A pleasure to put your beautiful work in the spotlight, YangYing ...

Rana Jabeen PRO

Dear Yangying, your work is truly impressive Congratulations to you . Thanks once again Yvette for the article

YANGYING PRO

Thank you so much, Rana! I really appreciate your kind words. And many thanks to Yvette as well for the beautiful article. 😊

Yvette Depaepe CREW

Thank you Rana ...

Winter Olympics - February 2026

by Editor Miro Susta
Edited and published by Yvette Depaepe, the 23rd of January 2026

This article focuses on the 25th Winter Olympics, which are scheduled to take place from 6 to 22 February 2026 in Milan and Cortina d'Ampezzo.

‘The White Lady’ (Cortina d’Ampezzo region) by Leonardo Papèra

Welcome to the final episode of our five-part series on Olympic and non-Olympic sports.
You can find the previous articles in 1x Magazine at the following links:

Summer Olympic Sports-Part 1
Summer Olympic Sports-Part 2
Non-Olympic Sports Part 1 - Summer Outdoor Sports
Non-Olympic Sports Part 2 - Winter and Indoor Sports

Historically, the Winter Olympics were held in a single location worldwide. However, the 25th Winter Games are taking a different approach. For the first time, the role of host is being shared by two locations: Milan and the Cortina d'Ampezzo region in Italy.

‘Ridge’ by Jakob Sanne

This split is no coincidence.
The International Olympic Committee (IOC) plans to use multiple regional venues for future Games, beginning with the 2030 Winter Olympics in the French Alps and the 2034 Olympics in Salt Lake City, Utah, USA, in order to promote sustainability, reduce costs and utilise existing facilities.

‘climbing down’ by mihai ian nedelcu

The first Winter Olympics took place in the French town of Chamonix in 1924. Until 1992, the Winter and Summer Olympics took place in the same year. Since 1994, however, the Winter Olympics have been held two years after the Summer Olympics.

List of sports included in 2026 Winter Olympic Games
Biathlon, bobsledding, skeleton, curling, ice hockey, luge, figure skating, speed skating, short track speed skating, downhill skiing, cross-country skiing, acrobatic skiing, Nordic combined, ski jumping, snowboarding, ski mountaineering.

‘Hockey game’ by Viktor Cherkasov

BIATHLON
Biathlon is one of the best-known and most popular winter sports in the world. The term “biathlon” comes from Greek and means “battle.” The “two” does not refer to the athletes, but to the two disciplines: cross-country skiing and rifle shooting.

‘Decapitation’ by Lex Augusteijn

Biathlon combines two disciplines: endurance cross-country skiing and precision shooting. This unique combination requires athletes to possess a range of specific skills.
However, activities related to biathlon have been practiced in other forms for thousands of years. For example, Norwegian cave paintings show that people used skis to track wild animals in the snow over 5,000 years ago.
A 1050 AD illustration shows a man hunting with a bow and arrow on skis, which could be considered a precursor to the modern biathlon.

‘Race’ by Milan Malovrh

Today's biathlon has its origins in military winter activities. Over the centuries, the Norwegian and Russian armies introduced the sport to other snowy countries.

BOBSLEDDING
Bobsleigh is a winter sport in which teams of two or four competitors race down a steep, winding ice track in a gravity-powered sled. The sport originated in England in the 19th century.

The first competition took place in 1898 at the Cresta Run in St. Moritz, Switzerland, and was organised by British expatriates living there. The sport got its name when participants adopted the technique of rocking back and forth to increase the sled's speed, which can now reach up to 160 km/h or more.

Bobsledding became an internationally recognised sport in 1923 with the establishment of the International Bobsleigh and Luge Federation, and was included in the first Winter Olympic Games in Chamonix, France the following year.

Since 1931, the two- and four-man world championships have been held annually, except during World War II.

Men and women have participated in Olympic bobsleigh races for many years, with separate competitions for each gender (two-man and four-man bobsleigh for men, and two-man and monobob for women) to encourage participation from both sexes.

Unfortunately, there are no bobsleigh photos available in the 1x photo gallery.

SKELETON
Skeleton is a winter sport in which competitors ride headfirst and face down on a flat sledge. Competitions take place on ice tracks, similar to those used for bobsleigh, where the sleds can pick up speed through gravity.
Skeleton was first included in the Winter Olympics in 1928 in St. Moritz, Switzerland, and then again in 1948, also in St. Moritz. However, it was subsequently removed from the Winter Olympics.

‘Skeleton face’ by Markus Hülsbusch

In October 1999, the International Olympic Committee (IOC) added this discipline to the programme of events for the 2002 Winter Olympics in Salt Lake City, with competitions for both men and women. It has been included in every subsequent Winter Olympics.
In 2022, the IOC added a third discipline — mixed teams — to the programme for the 2026 Winter Olympics.

CURLING
Curling is a winter sport in which competitors throw stones across a smooth ice rink towards a target. Two teams of four players compete against each other, with each player having two stones. The teams take turns to throw their stones. The aim is to get the stones closer to the centre of the target rings than the opponent's stones.
A team is awarded points according to the number of their stones in the rings that are closer to the centre than their opponent's best stone. Throwing all 16 stones constitutes one end. A match consists of eight or ten ends.
Bavarian curling and lawn bowling, which also focus on precision in hitting a target area, are curling's closest relatives.
Unfortunately, there are no curling photos available in the 1x photo gallery.

ICE HOCKEY
Ice hockey is currently the fastest team sport in the world. It all started on the frozen waters of Lake Long in Nova Scotia, in eastern Canada. Close to the lake stood Kings Edge School, the oldest private school in Canada, which belonged to the Queen of England.

‘The Lynx are winning’ by Milan Malovrh

Kings Edge School was an all-boys school, and its pupils were the first to start playing this global sport.
Established in 1877 by students at McGill University, the McGill University Hockey Club was the first club of its kind. The Montreal Victorias Club was founded in 1881.

‘Hockey U18_2’ by Dusan Ignac

The game's immense popularity in 1883 led to the inaugural "World Championship" being hosted in Montreal during the Winter Carnival.
The Ligue Internationale sur Glace evolved into the International Ice Hockey Federation (IIHF) during the mid-20th century.

LUGE
Luge is an Olympic winter sport in which individuals or pairs race on sleds in an ice ring while lying on their backs with their feet facing forwards.
Position: The rider(s) lie on their backs, controlling their body weight and applying pressure with their calves to steer the sled.

'Sliding Down' by Louie Luo

Ø Speed: Reaches speeds of over 130 km/h
Ø Start: Begins by accelerating using grips on the ice

Unlike in bobsleigh or skeleton, where you ride headfirst, in luge you ride on your back.

FIGURE SKATING
Figure skating is an ice-skating sport that focuses on artistic performance, including pirouettes, jumps and steps. There are four disciplines in which both men and women can compete.
Ø Men's singles
Ø Women's singles
Ø Sport pair skating
Ø Ice dancing.

Great Britain is the birthplace of figure skating. The first ever competition took place there in 1814.

‘Ice Dance Elegance’ by Naoko Tanaka

Figure skating originated in England and then spread throughout Europe and America. In the USA, elements of music, dance and ballet were incorporated into the sport. The first Olympic figure skating competition took place in London in 1908, comprising the following four disciplines: women's and men's singles, and pairs skating, as well as a special figures competition.
The special figures competition was only held once and was later replaced by ice dancing. Ulrich Salchow, the inventor of the Salchow jumps and the first Olympic champion, is still well known today.

‘Figure skating’ by Dusan Ignac

SPEED SKATING AND SHORT TRACK SPEED SKATING
Speed skating and short track speed skating are winter individual Olympic sports in which time skating is competed. This form of speed skating takes place in closed halls on oval ice tracks. Racing skaters compete in various disciplines, sprints, but also in endurance, like athletics running disciplines. So, the variety of skaters is also great, according to the discipline they are training.

‘Speed Skating 1’ by Zoran Milutinovic

Speed skating is greatly influenced by skating technique and, above all, modern technology, which is why world records in this sport are often broken. Speed skaters can reach speeds of around 45 km/h in sprint disciplines.
Men's speed skating was first included in the Olympic Games in Chamonix in 1924, and women's speed skating first appeared in the US Squaw Valley Games in 1960. The first World Championship was held in 1889.

‘Speed skating’ by Dusan Ignac

COMPETITIVE DISCIPLINES

Ø 500 m

Ø 1,000 m

Ø 1,500 m

Ø 3,000 m

Ø 5,000 m

Ø 10,000 m (men only)

DOWNHILL SKIING
Downhill skiing is one of the most popular forms of competitive and amateur skiing worldwide. The first races took place in Norway in the mid-19th century.
The Alpine World Championships have been held regularly since 1931, the first of which was hosted by Mürren in Switzerland.

‘Frozen Powder’ by Tehben Dean

Downhill skiing was first introduced at the Winter Olympics in Garmisch-Partenkirchen, Germany, in 1936, when only the combined event — a downhill run followed by two slalom runs — was included in the programme. The elite Alpine World Cup series has been running since 1966.

SLALOM
Slalom is a technical discipline that mainly tests competitors' technical skills and their ability to react quickly to changes in direction. It usually takes place over two rounds. The competitor with the fastest total time from both rounds wins.

‘Stefano Gross on Snow Queen Trophy-Zagreb’ by Roman Martin

GIANT SLALOM
Giant slalom is also a technical downhill skiing discipline. Due to the radius of the arcs, the carving technique has been most extensively developed in giant slalom, which is performed using skis that are longer and have a larger cut. The race takes place over two rounds, with the total time from both rounds determining the result.

‘Waiting for the warriors’ by Cembrzynski Ignacy

SUPER GIANT SLALOM (Super-G)
The super giant slalom is the newest downhill skiing discipline, focusing on mastering techniques at high speeds. One-lap races are organised in a similar way to downhill competitions. The track features frequent changes in direction and alternating slopes.

‘gardenissima 2017’ by Maurizio Senoner

DOWNHILL
Downhill is the fastest discipline and is also known as the 'royal' discipline of skiing. The race takes place in a single round. The track can be up to four kilometers long, with competitors reaching speeds of over 150 km/h in some sections. The track features jumps, compression hills, and direction changes.

‘On the edges’ by Richard Spurdens

ALPINE COMBINATION
The alpine combination is a downhill skiing discipline that provides a comprehensive evaluation of a competitor's all-round preparedness. It involves combining one run from either the downhill or Super G with one run from the slalom, and the total is calculated based on this combination. This discipline requires the use of significant tactical approaches.

CROSS-COUNTRY SKIING
Cross-country skiing is a winter sport comprising various disciplines, ranging from sprints to long-distance races. Competitors race against each other over various distances, competing for speed and endurance.
Cross-country skiing has been practised since the late 19th century using classic and freestyle techniques. Popular events such as the FIS World Cup, as well as traditional races such as the 90 km Vasaloppet in Sweden and the 42 km Swiss Engadin Marathon, have made this sport very popular among winter sports enthusiasts.

‘sprint world cup dresden’ by Holger Goehler

Depending on the course length, races are categorised as either sprints (usually up to 1.5 km) or endurance (over 5 km). The standard distances for endurance races are 15 km, 30 km and 50 km for men, and 10 km, 15 km and 30 km for women.

‘Elegance’ by Milan Malovrh

Events can be individual or relay competitions for men and women, in which different techniques are used. The races can have an interval start, where participants start at different times, or a mass start, where all participants start at the same time. In certain pursuit races, participants start at time intervals based on previous race results.

A total of 12 cross-country skiing competitions will take place at the Milano Cortina 2026 Winter Olympics. For the first time ever, men and women will compete over the same distances.

Ø Women's 10km Intervall Start Free

Ø Man’s 10km Intervall Start Free

Ø Women's 10km + 10km Skiathlon

Ø Men’s 10km + 10km Skiathlon

Ø Women's 4 x 7.5km Relay

Ø Men's 4 x 7.5km Relay

Ø Women's 50km Mass Start Classic

Ø Men's 50km Mass Start Classic

Ø Women's Sprint Classic

Ø Men's Sprint Classic

Ø Women's Team Sprint Free

Ø Men's Team Sprint Free

FREE STYLE SKIING
Freestyle skiing is a relatively new sport, with its origins dating back to the early 20th century and significant development occurring in the second half of the century. Despite being a new sport, it has developed considerably and gained popularity.

‘Snow waves skiing’ by Peter Svoboda MQEP

It includes the following three basic disciplines:
Ø Acrobatic downhill (now known as mogul or bump riding)
Ø Acrobatic jumps (aerials)
Ø Ballet on skis.

Later, ski cross and freestyle events such as slopestyle, big air and U-ramp were added to the acrobatic downhill and jumps.

NORDIC COMBINED
Nordic combined is a winter sport in which participants compete in two events: ski jumping and cross-country skiing. The level of difficulty is similar to that of the decathlon in athletics.
The sport itself originated in Norway in the mid-19th century and quickly gained considerable popularity. It first appeared in the Winter Olympics programme at the inaugural Winter Games in Chamonix in 1924.

‘capture’ by Milan Malovrh

The Gundersen individual race is most often included in the World Cup program. It consists of one jump and 10 km of freestyle skiing. Another popular discipline is the sprint, which involves a jump followed by a 7.5 km run. A team race (four-person relay) is also held regularly, with the jump followed by a 4 x 5 km run.
Currently, women are excluded from the Nordic Combined Winter Olympics, making it the only Winter Olympic skiing sport without women's participation.

SKI JUMPING
Ski jumping is a discipline of ski jumping in which the aim is to achieve the greatest possible distance by achieving a high approach speed, taking off powerfully and maintaining an optimal flight position. Once they have left the jump, ski jumpers behave like horizontally thrown objects. However, the air cushion on which they 'float' also plays a decisive role.

‘Ski jumping’ by Aljaž Pristov

Normal hills are designed for jumps of up to 90–110 meters. Large hills allow for greater distances of over 120 meters.
Certain facilities, known as ski flying hills, are specially constructed to accommodate jumps of over two hundred meters.
Ski jumping has been a core discipline of the Winter Olympics since the Chamonix Games in 1924. The program includes individual and team competitions on normal and large hills, with women's competitions having been included permanently since 2014 and a mixed team competition since 2022.

SNOWBOARDING
Snowboarding is a winter sport with roots in skiing, surfing and skateboarding. The primary activity is riding down any snow-covered surface while standing on a snowboard with your feet positioned roughly perpendicular to the board and its direction of travel. It is one of the world's most popular winter sports, particularly appreciated for its speed and the adrenaline it provides.

‘Aosta Valley’ by Jakob Sanne

It was first introduced at the 1998 Olympic Games in Nagano, Japan, with four events (two for men and two for women): the giant slalom and the downhill event, which are both types of alpine skiing; and the halfpipe event, in which competitors perform tricks while travelling from one side of a semicircular pipe to the other.

‘Snowboarder’ by Evgeny Vasenev

Snowboard competitions in 2026 Olympics will consist of the 11 following events:

Ø Women's Parallel Giant Slalom

Ø Men's Parallel Giant Slalom

Ø Women's Snowboard Cross

Ø Men's Snowboard Cross

Ø Mixed Team Snowboard Cross

Ø Women's Snowboard Halfpipe

Ø Men's Snowboard Halfpipe

Ø Women's Snowboard Slopestyle

SKI MOUNTAINEERING
Ski mountaineering is an exciting and demanding sport that allows participants to experience the thrill of adrenaline while connecting with nature and pristine landscapes. It is particularly popular in Italy, with deep historical and sporting roots in the Alpine regions.

‘Drop into couloir’ by Sandi Bertoncelj

Judging by the number of international events taking place in numerous countries around the world, this sport has gained popularity worldwide in recent years. The first Ski Mountaineering World Championship took place in France in 2002. This international event is now organised every two years, alternating with the Continental Championships.

‘White darkness’ by Marian Krivosik

Ski mountaineering will make its Olympic debut at the Milano Cortina 2026 Games, with the following three events featuring in the competition programme:

Ø Women's Sprint

Ø Men's Sprint

Ø Mixed Relay

And that brings us to the end of our five-part series on Olympic and non-Olympic sports.
The next Winter Olympics are just around the corner. If you're lucky enough to attend one or more of the events in Milan or Cortina, don't forget to bring your camera, take some photos and share the best ones on 1x.

The 1x community will thank you for it.

‘Frozen Moment’ by Jakob Sanne

mrsphoto.net
[email protected]

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Enzo Luigi D’Arcangeli PRO

Devo dire che fa un certo effetto veder pubblicate immagini “Fotografiche” tra parentesi molto belle e ben rappresentate dall’articolo. Complimenti

Norbert Maier PRO

Wow!!!

Miro Susta CREW

Thanks.

Linda Lu PRO

Amazing images with a great article!

Miro Susta CREW

Thank you Linda.

Wanghan Li PRO

Excellent writing with the wonderful works selected carefully! Beautiful, enjoyable and inspiring! Thanks a for sharing! Congratulations!

Miro Susta CREW

Thank you very much for wonderful comment to our work dear Wanghan.

Andreas Agazzi PRO

A wonderful collection of the world of sport. Great selection, amazing photographs. Congratulations to the photographers, thanks to the editors!

Miro Susta CREW

You are most welcome Andreas, many thanks in name of all authors, participant's.

Jane Lyons CREW

Miro, thanks for this great article and photographs in anticipation of the Olympics. It is so well done. Thanks Yvette!

Yvette Depaepe CREW

Thanks Jane ;-)

Eiji Yamamoto PRO

Dear Miro, thank you so much for the wonderful article with great photos! I have been looking forward to reading more from the previous magazines. Dear Yvette, thank you so much as always!

Miro Susta CREW

Many thanks for lovely words of praise dear Eiji, we are glad to see that you like it.

Yvette Depaepe CREW

Thanks for your appreciation, Eiji ;-)

Eduardo Blanco García PRO

Excellent

Miro Susta CREW

Many thanks Eduardo

The making of 'The Battle'

Tutorial led by Editor Michel Romaggi in collaboration with the author Desmet Patrick
Edited and published by Yvette Depaepe, the 21st of January 2026

'The Battle' by Patrick Desmet

Back in the '80s, I was the famous DJ Pieter Van Ieper. I mixed records like no one else. Now, I do the same with my photos. I paste and mix them together to create a whole new image. I have my own unique Photoshop technique, which is different from that of someone who has taken a course — I have taught myself everything I know.

I usually start by creating the background.
Then I spend hours, or even weeks, searching and trying to figure out what fits.
Once that's done, I search through my archives for a character or some object that fits the story.

The final image, 'The Battle', was created using these base images

1. The background is made up of various landscape photos taken on a trip to Gran Canaria.

2. On the far right, there is a small section of an old wall on the cliff face from Tropea.
I always look to complete my images by adding a piece here and there so that the colours automatically match the other photos.

3. The castle was photographed on holiday in Naples. It is the castle at the port of Naples.

4. The photos of the characters were taken at the commemoration of the Battle of the Golden Spurs in Kortrijk, where I live.

The first photo is the bottom layer that I started with. It's usually one of my other montages, so it's just a base layer to start with.

You could argue that this is no longer photography, but it's not AI-generated.
I photographed all the parts of the montage myself.

I also enjoy taking black-and-white architectural or street photographs without adding things.
Desmet Patrick

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joanaduenas PRO

Very creative work!!!

Linda Lu PRO

Brilliant idea and execution, thanks for sharing!

DonnaHom APA PRO

A very great collection of the significant winter Olympic history and artistic images. Congratulations to all image contributors and thank you to dear Yvette’s effort of editing this magazine.

Marc Huybrighs PRO

Mooi en intrigerend werk Patrick. Top.

garyholman PRO

Wonderful! and creative work. Congratulations!

Rana Jabeen PRO

Excellent work Patrick , really like your creative images Congratulations

Roland Weber PRO

Nice idea and a solid realization. Well done.

yein PRO

It's full of creativity. Perfect background synthesis and character combination!

Ludmila Shumilova PRO

Very beautiful scene, great creativity and imagination!

Luc Vangindertael (laGrange) CREW

Fine creative work dear friend, I like it very much. It's all about technique and imagination.

Ria Groot Zevert PRO

Een geweldig creatief proces laat je hier zien Patrick. Dank je voor het delen!

Weiwei Fong - Storytelling images expressing her inner self

by Yvette Depaepe
Published the 19^th of January 2026

Weiwei has her own unique style, revealing that overlooked corners, ordinary light and shadows, and fleeting emotions can be transformed into delightful storytelling images. She has a deep passion for photography. It enables her to observe the world and express her inner self. She has a charming personality, much like her photographs.
Join me for this interview to find out more about this talented artist.

'snowy night'

Dear Weiwei, please could you tell us a little about yourself, your hobbies, and any other jobs you have had?

My name is Weiwei Fong. I was born in China and immigrated to Canada in 1990. I work in a cosmetics laboratory, where I deal with colour on a daily basis. In my spare time, I enjoy music, singing, reading, travelling and photography.

‘Mother and Daughter’

In what ways have your life experiences and personal history influenced your photography?

My greatest influence is my husband, who is a passionate photography enthusiast. I often modelled for him, and after each shoot, we would discuss composition, tonal qualities and themes. These conversations laid the groundwork for me and, more importantly, taught me to see the world through the lens.

‘Memory’

Which experiences have influenced your art the most?

Joining the Atlantic Photography Association in 2020 was a pivotal moment. With the support of two mentors, Emma Zhao and Sean Huang, I started studying mobile photography despite being a complete beginner. Their teaching revealed to me that overlooked corners, ordinary light and shadow, and fleeting emotions could all be captured in images that tell stories. This realisation sparked a deep passion for photography — it became a way not only to document life, but also to observe the world and express my inner self.

‘Corridor’

Describe your overall photographic vision.

I aim to use my artistic sensibility to capture the present moment, express it and enjoy it, all the while walking my own path. Through continuous learning, I strive to become the best version of myself.

‘Morning Mist’

Why are you so drawn to creatively edited photography?

Creative editing transforms emotions into vivid imagery. Faded colours and weathered textures evoke the haze of memory, while blending figures with natural elements reflects the fluidity of identity. It interlaces time and space, turning metaphors, memories and dreams into layered visual narratives.

‘Sunday’

Which is more important to you: the mood or story behind your images, or technical perfection?

Personally, I believe that the mood and story behind an image are more important. While technical perfection can enhance visual precision, it is the emotional core and narrative depth of an image that truly make it resonate. Technique is a tool; mood and story are the soul of art. Ideally, the two work together, but if I had to choose, I would value the 'soul' over the 'bones'.

‘There’s Sunshine Ahead’

What is your relationship with your subject matter beyond being an observer?

I am an observer, learning about my subjects in my own way and conveying my inner understanding of them through images. My work seeks to reveal this connection. I never prepare anything in advance — everything happens naturally, guided by intuition and the moment.

‘A Little Red House’

What equipment do you use, such as cameras, lenses and bags?

I only use my iPhone, along with the Slow Shutter app. This allows me to blur flowing water, stretch light trails and capture the movement of crowds, making time 'visible'. The phone's low intrusiveness also helps me to discreetly capture genuine emotions in street scenes.

‘Shadow’

Which software do you use to edit your photos?

I use Snapseed, particularly the double exposure and selective adjustment tools, to transform everyday scenes into the images I have in mind.

‘Passing’

Could you tell us a little more about your workflow?

After taking the photos, I start by using the 'Tune Image' tool to set the mood, aiming for deep tones that reflect my personal aesthetic. Then, using selective tools, I brighten a key beam of light and darken other elements — this is the step where the photo gains its soul. Finally, I use double exposure to create layered narratives where time overlaps and reality intertwines with illusion.

‘Autumn’

What is the most important advice you would give to a beginner in creative photography, and how would you recommend they get started?

Find your own photographic direction. Loving what you do, being persistent and experimenting are far more valuable than following tutorials. My original intention has always been to discover my own path, stay true to my beliefs and develop my own style.

‘Hill’

Which photographers do you admire most, and how has their work influenced your approach to photography?

I don’t have a single favourite photographer, but the outstanding photographers in the Atlantic Photography Association inspire me constantly. I learn from them as I follow my own path to developing a unique style.

‘City’

Do you have any specific plans for your photography in the future, or any particular goals you wish to achieve?

Photography enriches my life. It helps me express my emotions and reflect on past experiences, enabling me to appreciate everything I encounter. I don't have any specific goals, only to enjoy each day and the art of photography.

‘Moon’

Describe your favourite photograph taken by you and why it is special to you?

‘Waiting’

It was a typical autumn evening in 2024. A gentle drizzle fell as I walked along the path, until I saw a dim streetlight at a junction and a woman standing under a tree with an umbrella. Her silhouette was outlined in the light, raindrops sparkled on the umbrella and reflections swayed softly on the ground. In that moment, my mind was filled with scenes from a film.
Who was she waiting for? Or was she reminiscing about a moment she would never experience again? The combination of her stillness and the misty rainy night created an indescribable sense of melancholy beauty, reminiscent of the unspoken farewells in old films. Without hesitation, I captured the scene on my phone. There was no deliberate composition or adjustment of settings — just an instinctive press of the shutter, for fear of disturbing such a fragile atmosphere.
Later, when I reviewed the image, I realised that it was this 'imperfect reality' that had touched me. The glare of the streetlight, the rain streaks and the shallow depth of field gave the photo a strong narrative quality. In post-processing, I enhanced the mood by overlaying subtle tree shadows and shifting the colours towards cooler blue tones.

Is there anything else you would like to add, and what are your thoughts on using 1X as a base for your work?

1X is a special and sacred place for my artistic development. Since joining in 2020, I have seen countless inspiring works by photographers who have motivated me to find my own path. I am honoured to have been invited to this interview — it is a great encouragement. I will continue to follow my own path and create the work I love.

‘Winter Fresh’

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Wanghan Li PRO

Excellent interview with the beautiful and artistic works! Very impressive and inspiring! Congratulations!